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What it is
The whole riff on this one is fuzz-first: Dan Auerbach's Boss FZ-2 Hyper Fuzz (a Super-Fuzz circuit, cranked — the dirt is the tone here, so it's set high) slamming a barely-broken-up Marshall JTM45, which lets the pedal's gated, octave-y snarl stay front and centre instead of getting smeared by amp gain.
Chain: @romainstdr's BOSS FZ-2 Hyper Fuzz → @slamminmofo's Marshall JTM 45 capture → @wendycabs' JTM-45 Greenback 4x12 cab. EQ scoops 300 Hz to clear the cardboard out of the fuzz, pushes 750 Hz and 2 kHz for that nasty El Camino midrange bark, and shelves the very top down a touch so it doesn't fizz. A gentle gate (-56 dB, slow release) tames the fuzz hiss between stabs without clipping the sustained chords, and just 12% of a small dark room keeps it garage-tight rather than roomy.
The chain
Signal order, in front of the amp first. Every block is a real capture of real gear — somebody else's work, named here, and downloaded on your own account. Nothing here is a model of a model.
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Pedal
BOSS FZ-2 Hyper Fuzz NAM Profiles ↗
In front of the amp · drive high
Captured by romainstdr T3K
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Amp
Marshall JTM 45 [Hyper Accuracy+] NAM Profiles ↗
The capture the whole rig is built on
Captured by slamminmofo T3K
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wendycabs
Cabinet
Marshall JTM-45 Cab Greenback IR Profiles ↗
The speaker impulse response
Captured by wendycabs T3K
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Every capture on this page is hosted by them and made by one of their creators.
The effects
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Noise gate
Shuts the hiss up between phrases. High-gain rigs need one.
- Opens above
- -56 dB
- Release
- 120 ms
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EQ
A shaping curve rather than a correction.
- Lows
- +1 dB at 120 Hz
- Low mids
- -3 dB at 300 Hz
- Mids
- +2 dB at 750 Hz
- High mids
- +2.5 dB at 2000 Hz
- Highs
- -1 dB at 3500 Hz
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Reverb
A medium room. You can hear the walls.
- Size
- 32%
- Damping
- 60%
- Mix
- 12%
Play it
Add it to your rigs and it shows up everywhere you use ManifesTone — on your phone, and in the VST3 / AU plugin in your DAW. Or start from nothing: name a song and let it build you a rig of its own.
